I began my professional career in the late
1960's, exhibiting in solo and group shows at private, University,
and other public galleries. I was also one of the founders
of the pioneering multi-media art spaces in Vancouver such
as the Sound Gallery and Intermedia., working in collage,
film, multi-media, performance art and music.
During the early 1970's, I became increasingly
interested in the subjects of alchemy, mythology and Symbolism.
In 1971, supported by a Canada Council grant and a letter
of introduction from William Rubin of the Museum of Modern
Art in New York, I traveled to London and Paris, to organize
the first group exhibition of west coast Canadian art to tour
Europe.
Alchemy
Transformation
Dream Machine
Meditations on Modernism 3
This exhibition, entitled Canadian West Coast
Hermetics, The Metaphyisical Landscape, co-curated with the
late Alvin Balkind of the UBC Fine Arts Gallery, was seen
in Paris in 1973, by the French art historian and writer José
Pierre, a member of the post-War Surrealist Group and a colleague
of André Breton. He included my work in his landmark
book, L'Univers Surréaliste (Editions Somogy, Paris,1983).
My work continues to be published and exhibited
internationally alongside the leading historical figures of
Surrealism and lyric abstraction, often with the Phases Movement
in Paris, whose organizer, Edouard Jaguer, also collects my
work.Another noted historian of the Surrealist Movement, Sarane
Alexandrian, published a work from 1975 in Superiore Inconnu,
the journal he began in 1947 with André Breton. My
work has also been written about in Surrealism in English
Canada, a Ph D Thesis by Yves M. Larocque presented at the
Sorbonne in Paris in 1996. In 2005 I helped organize the exhibition
West Coast Surreal, A Canadian Perspective, for the Museo
Granell in Santiago de Compostela, Spain.
Ball Players
Blue Caverns
Discovery of Honey
Night Moves
In 2001, my solo exhibition, A New Arcadia,
toured Europe, and was the basis for a television doumentary
of the same name, shown nationally in Canada since 2003. It
also was the subject of a treatise by Professor Antonio Malmo
of the Accademia Tiberina in Rome. Various works also appeared
in other Italian publications: including Dizionario Antologico
e Critico Di Poeti, scrittori e artisti italiani contemporanei
(1997) and Il Volo Di Icaro Utopia, tra sogno e realta quotidiana
(Edizioni Tigullio-Bacherontius, Torino, 1998) and in Terzoochio,
Bologna (1979 and 1985).
My work has been written about in such publications
as Vie Des Arts (Montreal), Vanguard Magazine (Vancouver),
artmagazine (Toronto), International Artist (Sydney, Australia)
and Terzoocchio (Bologna, Italy). Several pieces have been
collected by public galleries and universities, and represented
in corporate and private collections in Canada, the U.S.,
Europe, Asia and South America. I currently have studios on
Bowen Island, B.C. and in North Vancouver, where I rent my
work to the film and television industry. I spend part of
every year painting and exhibiting in Europe.